Once again Vivian Paley takes us into the inquiring minds and dramatic worlds of young children learning in the kindergarten classroom. As she enters her final year of teaching, Paley tells in this book a story of farewell and a story of self-discovery - through the thoughts and blossoming spirit of Reeny, a little girl with a fondness for the color brown and an astonishing sen...(展开全部)

Once again Vivian Paley takes us into the inquiring minds and dramatic worlds of young children learning in the kindergarten classroom. As she enters her final year of teaching, Paley tells in this book a story of farewell and a story of self-discovery - through the thoughts and blossoming spirit of Reeny, a little girl with a fondness for the color brown and an astonishing sen...(展开全部)

One of the launch titles in the amazing new Essential Picture Book Classics list from HarperCollins, this book is full of funny twists and surprises as young Harold draws himself some wonderful adventures. A collectable classic picture book that every child should read and own. Maurice Sendak says "Harold is a masterpiece". "One night, after thinking it over for some time, Haro...(展开全部)

One evening Harold decided to go for a walk in the moonlight. But there wasn't any moon, and Harold needed a moon for a walk in the moonlight. Fortunately, he had brought his purple crayon. So he drew a moon. He also needed something to walk on. So he drew a path... And thus begins one of the most imaginative and enchanting adventures in all of children's books. The creative c...(展开全部)

One of the launch titles in the amazing new Essential Picture Book Classics list from HarperCollins, this book is full of funny twists and surprises as young Harold draws himself some wonderful adventures. A collectable classic picture book that every child should read and own. Maurice Sendak says "Harold is a masterpiece". "One night, after thinking it over for some time, Haro...(展开全部)

One evening Harold decided to go for a walk in the moonlight. But there wasn't any moon, and Harold needed a moon for a walk in the moonlight. Fortunately, he had brought his purple crayon. So he drew a moon. He also needed something to walk on. So he drew a path... And thus begins one of the most imaginative and enchanting adventures in all of children's books. The creative c...(展开全部)

With these words, Washington Irving expresses the dilemma of every American artist in the nineteenth century. The Sketch-Book (1820-1) looks simultaneously towards audiences on both sides of the Atlantic, as Irving explores the uneasy relationship of an American writer to English literary traditions. He sketches a series of encounters with the cultural shrines of the parent nat...(展开全部)

作者：塞缪尔·韦伯（Samuel Weber） 加利福尼亚大学洛杉矶分校英语教授，加利福尼亚大学洛杉矶分校巴黎批判理论项目主任。在他的许多著作中，有《组织与诠释》（1987）和《大众传媒：形式、技术、媒体》（1996）。 译者：郭侃俊 清华大学外语系文学硕士，曾任北京科技大学外国语学院副院长、国际处处长，现任职于北京师范大学。译有《1848年欧洲革命》《电影创造美国：美国电影文化史》《看电影的艺术》等书。

作者：塞缪尔·韦伯（Samuel Weber） 加利福尼亚大学洛杉矶分校英语教授，加利福尼亚大学洛杉矶分校巴黎批判理论项目主任。在他的许多著作中，有《组织与诠释》（1987）和《大众传媒：形式、技术、媒体》（1996）。 译者：郭侃俊 清华大学外语系文学硕士，曾任北京科技大学外国语学院副院长、国际处处长，现任职于北京师范大学。译有《1848年欧洲革命》《电影创造美国：美国电影文化史》《看电影的艺术》等书。

Bernard Faure examines the study of Chan / Zen from the standpoint of postmodern human sciences and literary criticism, challenging this inversion of traditional 'Orientalist' discourse: whether the Other is caricatured or idealized, ethnocentric premises marginalize important parts of Chan thought.